Standing outside of the museum and art world, looking in on the performances of museums and art institutions, my work complements that of museum practitioners and art historians concerned with borders, territories, identities, modernisation and nationhood. My career in museums began at Leeds City Museum in 1980, subsequently working in various capacities at the Manchester Museum, Leicestershire Museums, the Area Museums Council for South Eastern England based at the Geological Museum in London and in North Lincolnshire. Often overlooked by the public, the central interests of museums are collections and their conservation and use. This collection provides a practical guide to all aspects of collections care and providing information for students of museums studies and collection managers. If you have an idea for a book that you think would be appropriate for the series, then please contact the Series Editor, Simon Knell simonknell leicester. For example, art, its institutions and the politics of the city:. The Natural History of the Frodingham Ironstone, Scunthorpe Museum and Art Gallery, 24pp.
It considers the role of intangible fossils in the production of scientific belief and understanding. Having continuously developed subject bibliographies since its founding in 1966, in the late 1980s the Department converted these into study packs of published materials for students. I was Director and Head of what was the Department of Museum Studies 2002-2007 and later Dean of Arts 2008-2009 responsible for the Faculty of Arts. Professor Eilean Hooper-Greenhill followed Sue Pearce as series editor. The Making of the Geological Society of London, Geological Society, London. Often overlooked by the public, the central interests of museums are collections and their conservation and use. Contributions to the series may seek to criticise, deconstruct or analyse hegemonic positions and hierarchies, though it is not a requirement to do so.
The series will also consider the inclusion of previously published work where this work might currently be viewed as obscure, inaccessible or only published in a foreign language. I also lead the component concerned with the ecology of the art city, which focuses on the study of art institutions in Copenhagen. . Exploring Science in Museums, New Research in Museum Studies, Athlone, 29-56. My interest has not been in a simple history of ideas but in how individuals and groups construct value through objects, careers, disciplinary structures, museums and other institutions.
These became the basis of the first series of Readers. It is this relationship with collections which separates museums from other educational and heritage institutions. The problem is that once you have gotten your nifty new product, the care of collections knell simon gets a brief glance, maybe a once over, but it often tends to get discarded or lost with the original packaging. The book is divided into sections covering conservation practice, the monitoring and control of light, relative humidity and atmospheric pollution, storage and access to collections and biological infestation and disaster planning. This revealed how these objects operated in the social contexts of provincial England to produce the museum as a ubiquitous cultural institution in Britain in the 1820s. At the University of Leicester, I have occupied many roles, but have been particularly passionate about, and committed to the the development of School of Museum Studies. Care Of Collections Knell Simon can be very useful guide, and care of collections knell simon play an important role in your products.
I graduated as a physical geographer Leeds , undertook postgraduate degrees in pollution and environmental control Manchester and museum studies Leicester , and did my PhD on the cultural history of geology Keele. This interest began with the Marie Curie-funded project 2006-2008 with Professors Peter Aronsson and Arne Bugge Amundsen of the Universities of Linkoping and Oslo respectively. My most recent monograph, , considered the performances of national galleries as institutions authoring national art and identities, and looks particularly at those countries excluded from so-called universal art histories. Having long been interested in provincial museums and the knowledge cultures associated with them, my research was re-oriented towards national museums and galleries in 2006. The achievements of this research were to rewrite the origins of museums and the science of geology in the early nineteenth century in The Culture of English Geology: A Science Revealed Through Its Collecting and in to discover that the important nineteenth-century concept, 'English geology', was a synonym for the pioneering stratigraphical geology of William Smith the so-called Father of English Geology rather than a simple national designation. In 2007, Simon Knell became editor of a newly designed and more thematically diverse second series. I am a museologist, historian and geographer who studies knowledge communities associated with museums, looking at their constructive use of objects, institutions and disciplinary culture.
I was a student here in the mid-1980s and learned then of its distinctive qualities. I remain a committed interdisciplinarian. This project undertook a comparative study of national museums and resulted in the co-edited book 2010. Supplemental Materials What is included with this book? It is expected that all books in the series will have a strong sectional structure and include section introductions. I am interested in situated local cultures, their performances, boundaries and intersections. My studies of this subject are historical and sociological; they are not geological.
In this volume I also explored how the history of modern art needs to be reconceptualised for this new Zeitgeist. PhD Supervision My research students come from a wide range of disciplinary backgrounds and are looking at the production and politics of museums, collections, exhibitions and objects, and acts of representation and visual performance. In this role I lay the foundation for understanding the art museum and particularly its conservative and symbolic political, architectural and curatorial performances. These are things that I and my colleagues then dismantle through the remainder of the course to find a more creative and active purpose for the art institution. Contributors cover a wide range of issues including: conservation practice the monitoring and control of light relative humidity and atmospheric pollution packing, handling and transportation of collections storage and access to collections biological infestation disaster planning. I was part of a senior team which undertook the reorganisation of the University from faculties into colleges completed in 2009. Register a Free 1 month Trial Account.
Since being at Leicester, I have travelled extensively, having taught, presented or undertaken research in most of the countries of Europe, as well as in the Americas, Asia and Australasia. This new work includes writing that seeks to survey, curate and summarise an area of interest; it need not be work that seeks to innovate. Suzanne MacLeod, Janet Marstine, Isobel Whitelegg and Stacy Boldrick. A response to life in the 'global contemporary' Knell 2019 , it privileges situated experiences and cultures and their interconnections. I have written and edited a large number of books including many for professionals and students of museum studies including , , and.
This volume brings together many articles and extracts examining aspects of collections management and care, in particular preventative conservation. It seeks to re-orientate our appreciation of these institutions away from notions of 'great art' and 'great museums' and towards a more egalitarian understanding of the particularities of national art culture and politics. I will supervise a wide range of topics particularly if they are concerned with how museums, or art or science culture and their objects, are constructed. The series will not seek to sustain them. Typically, only the book itself is included. Proceedings of the International Academic Conference a Prospect to the Twenty-first Century Visual Art, National Taiwan Normal University, Taipei. Confronting contemporary issues in museum practice, this collection provides a practical guide to all aspects of collections care.
Confronting contemporary issues in museum practice, this collection provides a practical guide to all aspects of collections care. Con Thien was, in Coan's view, a microcosm of America's general failure in Vietnam and the late William Westmoreland's tactical failure in particular. The book argues for the constructed nature of the object in science, separating mental objects from those in the real world. I am one of a growing number of staff here supervising students who study art museums and galleries e. Including material and sources that have, up until now, not easily been available, students of museum studies and proffessionals within the industry now have this invaluable aid to their work.